{"id":2176,"date":"2024-12-21T21:00:47","date_gmt":"2024-12-21T20:00:47","guid":{"rendered":"https:\/\/maryblengino.it\/?p=2176"},"modified":"2025-03-23T00:08:03","modified_gmt":"2025-03-22T23:08:03","slug":"vi-redd-three-essential-albums","status":"publish","type":"post","link":"https:\/\/maryblengino.it\/en\/vi-redd-three-essential-albums\/","title":{"rendered":"Vi Redd: three essential albums"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-large-font-size\">Lady Soul (1963)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">One of her earliest recordings as a bandleader, this album showcases the depth of her musical soul. With a mix of jazz standards and original compositions, the record highlights her blues-drenched saxophone phrasing and charismatic voice.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-contrast-3-color\">Here we have <em>We&#8217;ll be together again<\/em> (Carl T. Fischer, Frankie Laine):<\/mark><\/strong><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"We&#039;ll Be Together Again\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/43WQ4KRSCFo?list=PLlvikwomg9DDzv1ZqQ0PcqmfQxZsdKpxg\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Bird Call (1962):<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This album features a tribute to Vi\u2019s great inspiration, Charlie Parker. The repertoire blends classic bebop pieces with her unique touch. Her renditions, such as Now\u2019s the Time, demonstrate her ability to reinterpret Parker\u2019s music with a freshness that is both respectful and innovative.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-contrast-3-color\">Let\u2019s listen to <em>Now\u2019s the Time<\/em> (Charlie Parker):<\/mark><\/strong><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Now&#039;s The Time\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/1ZS7JYwPozU?list=PL5rXaip9lEUuh0WxlTqeW3Ptw1Pl1O2E2\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Now\u2019s the Time (1977)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Featuring Marian McPartland (piano), Mary Osborne (guitar), Lynn Milano (bass), and Dottie Dodgion (drums), this album is remarkable not only for the musicians\u2019 extraordinary talent but also for being a true all-female bop session. Wow!<\/p>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-contrast-3-color\">I recommend listening to <em>In a Mellow Tone <\/em>(Duke Ellington):<\/mark><\/strong><\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"&quot;In a Mellow Tone&quot; Marian McPartland,Mary Osborne,Vi Redd, Lynn Milano, Dottie Dodgion\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/lM-nMNUcZzw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"551\" height=\"522\" src=\"https:\/\/maryblengino.it\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2179\" style=\"width:351px;height:auto\" srcset=\"https:\/\/maryblengino.it\/wp-content\/uploads\/2025\/01\/image.png 551w, https:\/\/maryblengino.it\/wp-content\/uploads\/2025\/01\/image-300x284.png 300w\" sizes=\"(max-width: 551px) 100vw, 551px\" \/><figcaption class=\"wp-element-caption\">Album Cover: Now\u2019s the Time<\/figcaption><\/figure>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lady Soul (1963) One of her earliest recordings as a bandleader, this album showcases the depth of her musical soul. With a mix of jazz standards and original compositions, the record highlights her blues-drenched saxophone phrasing and charismatic voice. Here we have We&#8217;ll be together again (Carl T. Fischer, Frankie Laine): Bird Call (1962): This [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2054,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-2176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-le-jazziste-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vi Redd: three essential albums - Mary Blengino<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/maryblengino.it\/en\/vi-redd-three-essential-albums\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vi Redd: three essential albums - Mary Blengino\" \/>\n<meta property=\"og:description\" content=\"Lady Soul (1963) One of her earliest recordings as a bandleader, this album showcases the depth of her musical soul. 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